Dr Emma Smith | More feel uneasy than feel good |
Harold Bloom on genre | Twelfth Night is of no genre |
Harry Levin on Malvolio and ambition | As a sycophant, a social climber and an officious snob, [Malvolio] well deserves to be put back in his place |
Keirnan Ryan 2002 on gender identity | [Shakespeare suggests] sexual identity is more plural, discontinuous and volatile |
Joseph H.Summers, 1995 on masks | Every character has his mask |
M.E. Lamb 1980 on malvolio and change | Malvolio is mad in his refusal to change |
Dr Emma Smith on Feste | His role is to point out the truths other characters don’t want to hear |
Carol Thomas Needy – Malvolio | Malvolio serves as a scapegoat who is punished for flaws others share |
Simon Gray – Antonio | Lingers in the memory to remind us that Illyria is after all an illusion that has been fashioned out of much potential and some actual pain |
Penny Gay – class | Elizabethan concern with class is at the centre of this play |
Dr Emma Smith on Feste’s function | Feste is a function, not a character |
C L Barber on gender | The most fundamental distinction the play brings home is the difference between men and women |
Jean E Howard on Olivia | Olivia, the real threat to the social order, gets punished |
Valerie Traub – Viola’s self discovery | It is as the object of another women’s desire that Cesario finds her own erotic voice |
Homer Swander on Malvolio | The malvolios of the world mean the death to the spirit of twelfth night |
Tassi on Maria | Maria is morally depraved and far worse than the ill witted malvolio |
Tassi on Maria and Nemesis | Maria takes the part of Nemesis … and gives what is due |
Twelfth Night critics quotes *
July 27, 2019