| Heaven is my judge, not I for love and duty, But seeming so, for my peculiar end: For when my outward action doth demonstrate The native act and figure of my heart In compliment extern, ’tis not long after But I will wear my heart upon my sleeve For daws to peck at: I am not what I am | Iago, A1 S1 |
| Even now, now, very now, an old black ram Is tupping your white ewe. | Iago, A1 S1 |
| Your daughter and the Moor are now making the beast with two backs. | Iago, A1 S1 |
| Keep up your bright swords, for the dew will rust them. | Othello, A1 S2 |
| She gave me for my pains a world of sighs: She swore, in faith, ’twas strange, ’twas passing strange; ‘Twas pitiful, ’twas wondrous pitiful. | Othello, A1 S2 |
| The robb’d that smiles, steals something from the thief; He robs himself that spends a bootless grief. | Duke of Venice, A1 S3 |
| Look to her, Moor, if thou hast eyes to see: She has deceived her father, and may thee. | Barbantio, A1 S3 |
| Thus do I ever make my fool my purse. | Iago, A1 S3 |
| And it is thought abroad, that ‘twixt my sheets He has done my office: I know not if ‘t be true; But I, for mere suspicion in that kind, will do as if for surety. | Iago, A1 S3 |
| The Moor is of a free and open nature, That thinks men honest that but seem to be so, And will as tenderly be led by the nose As asses are. | Iago, A1 S3 |
| If after every tempest come such calms, May the winds blow till they have waken’d death! | Othello, A2 S1 |
| Knavery’s plain face is never seen till us’d. | Iago, A2 S1 |
| Reputation is an idle and most false imposition; oft got without merit and lost without deserving. | Iago, A2 S3 |
| Divinity of hell! | Iago, A2 S3 |
| Excellent wretch! Perdition catch my soul, But I do love thee; and when I love thee not, Chaos is come again. | Othello, A3 S3 |
| Men should be what they seem; Or those that be not, would they might seem none! | Iago, A3 S3 |
| Is the immediate jewel of their souls: Who steals my purse steals trash; ’tis something, nothing; ‘Twas mine, ’tis his, and has been slave to thousands; But he that filches from me my good name, Robs me of that which not enriches him, And makes me poor indeed. | Iago, A3 S3 |
| O! beware, my lord, of jealousy; It is the green-ey’d monster which doth mock The meat it feeds on. | Iago, A3 S3 |
| Think’st thou I’d make a life of jealousy, To follow still the changes of the moon With fresh suspicions? No; to be once in doubt, Is once to be resolved. | Othello, A3 S3 |
| She did deceive her father, marrying you; And when she seem’d to shake and fear your looks She lov’d them most. | Iago, A3 S3 |
| If she be false, O! then heaven mocks itself. I’ll not believe’t. | Othello, Act 3 S3 |
| O! now, for ever Farewell the tranquil mind; farewell content! | Othello, A3 S3 |
| Who would not make her husband a cuckold to make him a monarch? | Emilia, A4 S3 |
| Heaven me such uses send, Not to pick bad from bad, but by bad mend. | Desdemona, A4 S3 |
| O damn’d Iago! O inhuman dog! | Rodreigo A5S1 |
| Where a malignant and a turban’d Turk Beat a Venetian and traduc’d the state, I took by the throat the circumcised dog, And smote him thus. | Othello, A5 S2 |
| What is catharsis? | The relieving of emotional tension, usually at end and can be good or bad |
| What is an aside? | a part of an actor’s lines that are no suppost to be heard by others on state, only suppost to be heard by the audience |
| What is a foil? | a character who by his/her contrast with another character, serves to accentuate that character’s distinctive qualaties or characteristics |
| What is a soliloquy? | The disource or speech of a character who is talking to himself in disregard to any other hearers, basically a character verbalizing their thoughts (ie: Hamlet’s “to be or not to be” |
| What is dramatic irony? | Irony that is grapsed by the audience, but not the characters |
| What’s a moor? | A person of North african or West africa ethnicity, usually Muslim. aka Othello. Derived from country of Mauritania |
| What’s a cockold? | The husband of an unfaithful wife |
| What’s a strumpet? | A prostitue or harlot |
| “Impudent strumpet! “ | Othello, A4S2 |
| What are the five parts of Freytags Pyramid? | Exposition (Introduction), Rising Action, Climax (Crisis), Falling Action, and Catastrophe (Denouement) |
| What happens in the exposistion “introudction” of a play? | Gives important information about characters of conflicts that have occurred before the action of the play has commenced. We can hear the information through discussion, listening to secondary characters or through flashbacks |
| What happens in the rising action of a play? | Characters are offically introduced, conflicts are elucidtes, and the events of plot are set in motion. Usually the period that grows intensity and interest. |
| What is the climax or crisis of a play? | The turning point, the “initial hiatus in the action.” The play than changes direction, because the character is aware of the conflict |
| What is the falling action of a play? | The protagonist’s increasing failure to resovle the conflicts |
| What is the catastrophe of a play? | The conflict is finally solved, demonstrates the tragic failure and usually invovlves the death of the hero/heros. |
| What’s the exposition of Othello? | The elopment of Othello and Desdemona, and the Turks have invaded Cyprus so Othello must leave |
| What’s the rising action of Othello? | Othello and Desdemona are introduced before the Senate, they all go to Cyprus. Cassio drinks and fights with Montano, get’s fired. Iago’s plan is introduced. |
| What’s the climax/crisis of Othello? | The Conversation where Othello finally believes that Desdemona and Cassio are lovers, so Othello decides to kill Cassio and eventually Desdemona |
| What’s the falling action of Othello? | Desdemona is brutually hit, while remembering the suffering of her mother. Cassio is appointed (in Othello’s place after the beating) as Governor of Cyprus. Rodergio and Cassio Fight, they are both wounded. Then Othello smuthers Desdemona to death while in bed. Emilia realizes what Iago has done, Iago kills her than Roderigo. |
| What’s the catastrophe of Othello? | Othello spares Iago but committs suicide, Iago is taken to be tortured, Cassio is Governor of Cyprus |
| “Reputation, reputation, reputation” | Cassio, Act 2 S3 |
Othello Stupid Quiz
September 5, 2019