| Paul W. Kahn (Postmodern) | “If there was no justice in Edmund’s plan, neither was there any justice in Edgar’s legal entitlement.” |
| W.H. Clement (Modern) | “Goneril, Regan and Edmund are the calculating, cool and unimaginative people who are ‘incapable’ of creative imagery” |
| Johnathan Goldberry | “Kent serves the authority of goodness” |
| Samuel Taylor Coleridge | “Courage, Intellect and strength of character were the most impressive forms of power” (Edmund) |
| John Danby | Lear + Cordelia as virtuous and ideal/ Edmund and the sisters as a greedy representation of capitalism (WW2) |
| Nahum Tate | Cordelia alive + with Edgar in the end, but Shakespeare would have seen Cordelia as a martyr. |
| Sigmund Freud | “She is the death Goddess” (Cordelia) |
| Frank Kermode | “Lear’s rage confirms that he cannot be temperate in the absence of ceremony” |
| Coppelia Kahn | “Lear wants two mutually exclusive things at once: to have absolute power over those closest to him and to be absolutely dependant on them.” |
| Coppelia Kahn | This play is about “Male Anxiety”. |
| Morris and Fleissner (Post-Modern) | Cordelia deserves her fate. |
| Samuel Johnson (1700) | Cordelia’s death is “Immoral and unjust”. |
| Martha Burns (feminist) | Goneril and Regan are “formidable” |
| 2017 Johnathan Munby production | Addition of “what” to Goneril’s reaction to the division of the kingdom into 3. |
| Dervla Kerwin | “Lear’s family is an extension of his ego” |
| Dervla Kerwin | “Edgar has all the traits that Lear didn’t” |
| Dervla Kerwin | “When there is no woman to balance a narcissistic man you’re going to have a monster for a child” |
| Dervla Kerwin | “In her world compassion and sympathy are luxuries” (Goneril) |
| Dervla Kerwin | “Regan is intoxicated by the power given to her” |
| Alexander Leggart | “Tom is a more recognisable character than Edgar… he is truly outside society” |
| Thomas Hobbes | Human’s are at their core selfish and absolute monarchy is the best politics. (Edmund) |
| G Wilson Knight | “Edmund obeys nature’s laws of selfishness” |
| Sigmund Freud | “The madman is a dreamer awake” |
| John W. Draper | “Chaos from conflict of authority is the entire essence of the play” |
| Andrew Hadfield | “A monarch cutting himself off from the people he rules and so destroying what he has carefully built up.” |
| Michael Ignatieff | “The heath is both a real place and a place in the mind” |
| Janel Adelman | The heath is “a projection outward of everything he cannot tolerate within” (Lear) |
| Psychodynamic | The storm is the representation of Lear’s repressed ID. |
| Ian McKellen | Lear is sexually repressed. |
| Julian Markels | “The conflict between the old binding royalty and the new boundless individualism” |
| Samuel Johnson | “Too horrid to be endured in dramatic exhibition” |
| Modern Theatre | Interpreting Regan as sexually aroused be Gloucester’s blinding. |
| L. C. Knights | “The decay and fall of the world” |
| King James I | “Kings are rightly called Gods for they exercise a manner of resemblance of divine power upon earth” |
| William R. Elton (modern) | “The last act shatters the foundations of faith itself” |
| Isaac Asimov | “The great secret of a successful fool is that he is no fool at all” |
| John Donelly | “With no male character in the drama does Lear have a good relationship” |
| Elizabeth I | “I would not open windows into men’s souls” (Religion) |
King Lear AO5
July 28, 2019