| McDonald | Shakespeare makes the audience “deeply sceptical about the operation of all kinds of power” |
| Hall | “It was the most blasphemous play Shakespeare had written” |
| Mike Brett | Miranda is a “pawn in a patriarchal society” |
| Doran | “The action of the play is Prospero’s discovery of an ethic of forgiveness” |
| Smith | “If Prospero is Shakespeare, we wouldn’t like Shakespeare” |
| Willis | “The play’s threatening Other is not Caliban but Antonio” |
| Miller | Caliban is “demoralised, detribalised and dispossessed” |
| Barton | “The normal social responses have been dislocated” |
| Haddon | “Stephano is the real monster” |
| Todd | “Miranda’s outward beauty is a reflection of her inner merit” |
| Jaimeson | “Ariel and Caliban represent two sides of Prospero’s personality” |
| Tanner | “Miranda’s pity must be innate” |
| Kermode | Caliban is “the bestial man (with) no sense of right and wrong” |
| Vickers | “Shakespeare is not a colonist, nor is Prospero” |
| Sharpe | “Every character is driven by an internal cry for freedom” |
A Level English Lit: The Tempest- Critics
July 20, 2019