| Nigel Hawthorne | “He’s a sad man and in many ways completely ludicrous, because he displays the height on conceit and pomposity” |
| Illyria (carnival) | “A topsy-turvy world of confusion and masquerades” Gibson |
| Don’t mean what they say | “They seem to mean one thing then break their promises” Norton |
| C.S. Lewis | The four loves: Agape, Phileo, Storge, Eros |
| Illusions and truth | “Illusions are the way to find truth and time will achieve a happy ending for most” Gibson |
| Illyria is safe | “Illyria for all its untrustworthiness is a safe place” Gibson |
| (like peter-pan) | “A never-never land of make believe and illusions” Gibson |
| Puritans didn’t like cross-dressing | “quoted biblical injunctions against cross dressing” |
| characters allowed to play out their fantasies | “allows characters to plauy out their wildest fantasies of erotic and social fulfilment” Massai |
| Orsino thinks he’s in love with Olivia but he’s in love with the idea of her | “Orsino imagines he’s in love with Olivia, tough he doesn’t really know her at all” Jones |
| Olivia and Orsino | “Olivia and Orsino are obsessed by self-love and… superiority in their relations with the opposite sex” |
| Bisexual theme | “a play whose recurring theme is bisexuality” Casey |
| Sexuality is determined by gender | “a means of dramatising the socially constructed basis… sexuality… determined by gendered identity” Casey |
| You can chose your gender | “A subject can chose their gendered identity” Casey |
| Tension graph | Todrov tension 5 acts structure |
| Final act shows how heterosexuality isn’t always the way | “the final act… exposes the failure of heterosexuality” Casey |
| Critiques the ideal normal of Elizabethan England | “dramatic critique of the ideal norm of imperative homosexuality” Casey |
| Antonio and Sebastian | “Antonio and Sebastian provide the most fertile ground for queer inquiry” Casey |
| The play is centrally about the temper of sexual attraction | “centrally concerned… temper of sexual attraction” Casey |
| Olivia and Viola scenes | “lesbian overtones” Traub |
| Feste sees Cesario is a woman | “Feste sees through Voila’s disguise from the start” Norton |
| The 1996 film edition | Trevor Nunn |
Twelfth Night critics
July 26, 2019