static | Four hundred years of this, intervene between his speaking and our hearing. |
certes | Certainly |
affined | bound, obliged |
producted | produced |
Zounds | by Christ’s wounds |
What are the most problematic words? | Those that we still use but that we use with different meanings. |
circumstance | ceremonious talk |
spinster | one who spins |
propose | converse |
peculiar | personal |
owe | own |
bravery | impertinence, defiance |
Three worlds in Othello | Venice, Anthropophogi, Cyprus |
What does Shakespeare frequently do? | Frequently shifts his sentences away from “normal” English arrangements-often in order to use a line’s poetic rhythm to emphasize a particular word, sometimes to give a character his or her own speech patterns or to allow the character to speak in a special way. |
Shakespeare often… | places the verb before the subject or places the subject between the two parts of a verb. He also sometimes places the object before the subject and verb. |
In some plays Shakespeare… | makes systematic use of inversions |
What do interruptions provide? | details that catch the audience up in the speeches |
Separation of basic sentence elements… | forces the audience to attend to supporting details while waiting for the basic sentence elements to come together. |
Instead of separating basic sentence elements, Shakespeare sometimes… | holds them back, delaying them until much subordinate material has already been given. |
Shakespeare’s sentences are sometimes complicated because… | He omits words and parts of words that English sentences normally require. |
Two kinds of wordplay | Puns and metaphors |
Pun | A play on words that sound the same but have different meanings, Shakespeare uses these frequently. |
abused | means both deluded, deceived and violated, injured |
erring | means both wandering and sinning |
complexion | means both temperament and skin color |
period | signifies the final point or limit of Othello’s life |
Play | meaning wagar but carrying a secondary meaning of engage in sexual sport |
cope | meaning meet, encounter but also copulate |
sport | meaning fun but also amorous play |
Honest | both an indicator of Iago’s supposed truthfulness and a condescending term for a social inferior- and in reference to Desdemona, where, as is standard when it refers to a woman, it always means “chaste” |
Metaphor | A play on words in which one object or idea is expressed as if it were something else, something with which it shares common features. |
Example of Metaphor | Iago referring to Cassio ‘beleed and calmed’ saying Cassio has interfered with his military career |
Shakespeare’s Language (Othello)
August 12, 2019