| static | Four hundred years of this, intervene between his speaking and our hearing. |
| certes | Certainly |
| affined | bound, obliged |
| producted | produced |
| Zounds | by Christ’s wounds |
| What are the most problematic words? | Those that we still use but that we use with different meanings. |
| circumstance | ceremonious talk |
| spinster | one who spins |
| propose | converse |
| peculiar | personal |
| owe | own |
| bravery | impertinence, defiance |
| Three worlds in Othello | Venice, Anthropophogi, Cyprus |
| What does Shakespeare frequently do? | Frequently shifts his sentences away from “normal” English arrangements-often in order to use a line’s poetic rhythm to emphasize a particular word, sometimes to give a character his or her own speech patterns or to allow the character to speak in a special way. |
| Shakespeare often… | places the verb before the subject or places the subject between the two parts of a verb. He also sometimes places the object before the subject and verb. |
| In some plays Shakespeare… | makes systematic use of inversions |
| What do interruptions provide? | details that catch the audience up in the speeches |
| Separation of basic sentence elements… | forces the audience to attend to supporting details while waiting for the basic sentence elements to come together. |
| Instead of separating basic sentence elements, Shakespeare sometimes… | holds them back, delaying them until much subordinate material has already been given. |
| Shakespeare’s sentences are sometimes complicated because… | He omits words and parts of words that English sentences normally require. |
| Two kinds of wordplay | Puns and metaphors |
| Pun | A play on words that sound the same but have different meanings, Shakespeare uses these frequently. |
| abused | means both deluded, deceived and violated, injured |
| erring | means both wandering and sinning |
| complexion | means both temperament and skin color |
| period | signifies the final point or limit of Othello’s life |
| Play | meaning wagar but carrying a secondary meaning of engage in sexual sport |
| cope | meaning meet, encounter but also copulate |
| sport | meaning fun but also amorous play |
| Honest | both an indicator of Iago’s supposed truthfulness and a condescending term for a social inferior- and in reference to Desdemona, where, as is standard when it refers to a woman, it always means “chaste” |
| Metaphor | A play on words in which one object or idea is expressed as if it were something else, something with which it shares common features. |
| Example of Metaphor | Iago referring to Cassio ‘beleed and calmed’ saying Cassio has interfered with his military career |
Shakespeare’s Language (Othello)
August 12, 2019