Prince of Verona | “If ever you disturb our streets again, your lives shall pay the forfeit of the peace” -Act 1:1 – The Prince issuing his ultimatum that execution will result for any participation in future fighting. |
Prince of Verona | “Let Romeo hence in haste, else when he is found, that hour is his last” Act 3:1 – The Prince banishing Romeo. If he returns he will be executed. |
Prince of Verona | “Capulet, Montague! See what a scourge is laid upon your hate…All are punished.” Act 5:3 – The Prince blaming the heads of both families for the ultimate deaths of their children. |
Paris | “Younger than she are happy mothers made” -Act 1:2 – Paris trying to persuade Capulet to allow him to take Juliet as his wife. |
Paris | “That ‘may be’ must be, love, on Thursday next.” – Act 4:1 -Modal into an Imperative. Paris speaking to Juliet in the church about his hopes of marrying her on Thursday. |
Paris | “O, I am slain! If thou be merciful, open the tomb, lay me with Juliet” -Act 5:3 Paris dying and hoping to be buried alongside Juliet. He isn’t. |
Juliet | “You kiss by the book” Act 1:5 – metaphor – falling in love with Romeo |
Juliet | “My only love sprung from my only hate” Act 1:5 – juxtaposition/Oxymoron – Realising Romeo’s family. |
Juliet | “What’s in a name? That which we call any rose would smell as sweet.” Act 2:2 -metaphor -Juliet questioning whether Romeo’s family name should matter |
Juliet | “My bounty is as boundless as the sea, my love as deep -the more I give to thee, the more I have, for both are infinite.” -Act 2:2- Hyperbole / simile – showing her love. |
Juliet | “If that thy bent of love be honourable, thy purpose marriage, send me word tomorrow.” Act 2:2 – directive / Juliet checking Romeo’s intentions are genuine and geared towards marriage. |
Juliet | “Methinks I see thee now, thou art so low, as are dead in the bottom of the tomb” Act 3:5 -Juliet has a vision of Romeo lying dead. |
Juliet | “Proud I can never be of what I hate” Act 3:5 – Juliet saying to her father that she cannot be proud of his action that has led to her being paired with Paris. |
Juliet | “Be not so long to speak, I long to die” Act 4:1 – Repetition/ Pun on long. Juliet asking Friar Laurence to get to a solution quickly! |
Juliet | “Rather than marry Paris, bid me lurk where serpents are, chain me with roaring bears.” -hyperbole -showing Juliet is not keen on marrying Paris. |
Juliet | “Pardon,I beseech you! Henceforward I am ever ruled by you.”Act 4:2 – Juliet promising to do as Capulet has instructed (after secretly securing the sleeping drug!) |
Juliet | “What if when I am laid into the tomb,I wake before the time that Romeo come to redeem me?” Act 4:3- Use of questions – to consider the frightening thought that she might wake up alone in the tomb. |
Juliet | “O happy dagger -let me die!”Act 5:3-Personification – Juliet before she kills herself. |
Tybalt | “What, drawn, and talk of peace! I hate the word, as I hate hell, all Montagues, and thee” -Act 1:1 -Repetition – Tybalt showing his primary character trait of loving fighting. |
Tybalt | “This, by his voice, should be a Montague.— Fetch me my rapier, boy.” Act 1:5 Tybalt recognises Romeo who has gatecrashed the party and wants to attack him. |
Tybalt | “Romeo, the love I bear thee can afford no better term than this: thou art a villain.” |
Tybalt | Act 3:1 – Metaphor – Tybalt damning Romeo’s actions at the party as no more than those of a common criminal. |
Tybalt | “Boy, this shall not excuse the injuries that thou hast done me. Therefore turn and draw.” Act 3:5 – Metaphor – Tybalt emphasising how he feels psychologically damaged by Romeo’s behaviour, and is therefore determined to fight. |
Lord Capulet | … |
Lord Capulet | “What noise is this? Give me my long sword, ho!” Act 1:1 – Capulet keen to join in the fighting between the two families. |
Lord Capulet | “But Montague is bound as well as I, in penalty alike, and ’tis not hard, I think, For men so old as we to keep the peace.” – Act 1:2 – Capulet being obedient to the Prince’s instructions -vowing not to allow any more fighting between his family and the Montagues. |
Lord Capulet | “And, to say truth, Verona brags of him to be a virtuous and well-governed youth.” – Act 1:5 -Adjectives – At Capulet’s party, he admits that Romeo is an honourable, respectable young man. |
Lord Capulet | “O’ Thursday let it be.—O’ Thursday, tell her,she shall be married to this noble earl.” – Act 3:4 – Repetition / Adjective – Capulet now decided that his daughter should be married to respectable Paris. |
Lord Capulet | “It makes me mad. Day, night, hour, tide, time, work, play, alone, in company, still my care hath been to have her matched.” Act 3:5 – Listing – Capulet’s frustration that his hard work in trying to arrange a good marriage for Juliet has been not appreciated. |
Lord Capulet | “Speak not; reply not; do not answer me. An you be mine, I’ll give you to my friend” – Act 3:5 – Directives / Objectification – Capulet insisting to Juliet that she is his property and she will be given to who he decides. |
Lord Capulet | “Life and these lips have long been separated. Death lies on her like an untimely frost upon the sweetest flower of all the field.” – Act 4:5 – Simile & Metaphor – Capulet is distraught at the sight of his supposedly dead daughter. |
“O brother Montague | give me thy hand.” -Act 5:3 – Capulet vowing to reconcile his differences with Lord Montague. |
Lady Capulet | “Well think of marriage now; younger than you,” Act 1:3 – cajoling tone – questioning – LC is trying to persuade Juliet to marry Paris. |
Lady Capulet | “You are too hot.” – Act 3:5 short sentence – she is telling her husband not to be so angry with Juliet. |
Lady Capulet | “Do as thou wilt for I have done with thee” -Act 3:5 – Lady Capulet disassociating herself from her daughter’s disobedience, and telling her that she is on her own. |
Lady Capulet | “O woeful time!” Act 4:5 exclamation mark, adjective, despairing tone – LC has just learnt of her daughter’s death, she repeats the upset phrases of the nurse. |
The Nurse | “What lamb? What Ladybird! God forbid, where’s this girl? What Juliet?” – Act 1: 3 – Rhetorical questions – nurse calling Juliet to speak to her mother. |
The Nurse | “Bigger women grow by men” Act 1:3 – The nurse’s love of innuendo comes out here, as she warns that women easily fall pregnant at the hands of men. |
The Nurse | “I am so vexed that every part about me quivers.” – Act 2:4 adjectives hyperbole – the nurse is angry about the way Romeo and his friends are speaking to her when she has met him to arrange the marriage. |
The Nurse | “I think you are happy in this second match, for it excels your first” – Act 3:5 Even the Nurse betrays Juliet by recommending she marries Paris. |
The Nurse | “She’s dead decease’d, she’s dead, she’s dead!” – Act 4:5 Repetition – The nurse alerts Lady Capulet to Juliet’s pretend death |
Friar Laurence | “For this alliance may so happy prove/To turn your households rancour to pure love.” A2:3 rhythmic/poetic/hopeful tone – FL agrees to marry R&J in the hope that it stops the fighting |
Friar Laurence | “Wisely and slow. They stumble that run fast.” Act 2:3 Friar Lawrence’s wise words against impulsivity. |
Friar Laurence | “Run to my study. – By and by! – God’s will,” – Act3:3 caesura, panicked tone, repetition – FL is begging Romeo to hide so he does not get caught before leaving for Mantua. |
Friar Laurence | “O Juliet, I already know thy grief,” Act 4:1 – compassionate tone, connotations, showing FL is aware of how Juliet feels about marrying Paris and that he is complicit in her possible bigamy if she does marry Paris. |
Friar Laurence | “A cold and drowsy humour;” – noun phrase, adjectives to show FL is plotting for Juliet to take a sleeping draught. |
Friar Laurence | “Get me an iron crow and bring it straight/Unto my cell.” Act 5:3 imperatives, FL realises the mistake he has made and tries to go straight to the tomb. |
Friar Laurence | “Come, I’ll dispose of thee among a sisterhood of Nuns.” Act 5:3 Friar Laurence plotting even at the end to try and help Juliet escape the marriage to Paris, even when the sleeping drug plan goes wrong. |
8. “here untimely lay | The noble Paris and true Romeo dead.” Act 5:3 anecdote – FL tells the assorted people of his plan and how this has unravelled most horrifically. |
Benvolio | “I do but keep the peace. Put up thy sword,” Appeasing tone. Short sentence – to show he doesn’t want to fight. |
Benvolio | “I’ll pay that doctrine, or else die in debt.” Hyperbole/exaggeration, alliteration to show he is loyal to Romeo. |
Benvolio | “Go then, for tis in vain/To seek him here” A2:2 – Imperative – leaving Romeo after the ball when he is in Juliet’s orchard. |
Mercutio | “Nay, gentle Romeo, we must have you dance” Act 1:4 Imperative ‘must’ persuading Romeo to go to the ball. |
Mercutio | “A bawd, a bawd, a bawd! So ho!” A2:4 – repetition insult suggesting he is a brothel keeper from the nurse which he repeats in an incredulous tone. |
Mercutio | “vile dishonourable submission” Act 3:1 – Adjectives – Mercutio not understanding why Romeo is cowardly and backing down from a fight with Tybalt. |
Mercutio | “A plague a’both your houses!” Act 3: 1 -Metaphor blaming both the Montagues and the Capulets and wishing them the most unpleasant death. |
Romeo | “In sadness, cousin, I do love a women” Act1:1 – juxtaposition Romeo swooning and pining for Rosaline. |
Romeo | “I have lost myself. I am not here. This is not Romeo. He is some other where.” Act 1:1 Metaphor – Romeo’s unrequited love having a major effect on him. |
Romeo | “By some vile forfeit of untimely death” act 1:5 foreshadowing -hinting at his own death before the ball scene. |
Romeo | “o she doth teach the torches to burn bright!” act 1:5 Light Imagery and metaphor when speaking about Juliet at the ball . |
Romeo | “Arise fair sun and kill the envious moon,” Act 2 Metaphor to show his rejection of Rosaline in favour of Juliet. |
Romeo | “With love’s light wings did I o’erperch these walls,” Act 2:2″ Celestial Imagery to show he is linked to God and the heavens. |
Romeo | “But love thee better than thou canst devise” Act 3:1 exaggeration to persuade Tybalt not to fight. |
Romeo | “Yet, thy beauty hath made me effeminate.” Act 3:1 Cursing his love of Juliet that has led to him behaving less like a man should, and Mercutio fighting and dying instead of him. |
Romeo | “O I am Fortune’s fool” Act 3:1 -Metaphor/ Alliteration. Cursing fate after he has killed Tybalt |
Romeo | “it was the lark, the herald of the morn, No nightingale” Foreshadowing, Symbolism, imagery Act 3:5 after the consummation of their marriage and before he is banished to Mantua. |
Romeo | “…let me have/A dram of poison” Act 5:1 demanding tone to show he is in despair. |
Romeo | “Death hath had no power yet upon thy beauty.” Act 5:3 Imagery to show that death hasn’t changed Juliet’s appearance yet – Shakespeare is playing with the audience here. |
Romeo | “And shake the yoke of inauspicious stars from this world-wearied flesh” Act 5:3 -Metaphor and Alliteration to show Romeo’s desire to rid himself, through death, of fate’s control over him shortly before he dies. |
Romeo | “Thus with a kiss I die” Act 5:3 statement first person – he dies |
Lord Montague | “With tears augmenting the fresh morning dew” Act 1: 1 – metaphor to show he is worried about Romeo. |
Lord Montague | “Who set this new quarrel abroach?” Act 1:1 – Rhetorical question to find out how the fight started. |
Lord Montague | “For I will raise her statue in pure gold,” Act 5:3 hyperbole, persuasion – Montague assures Capulet that he will erect a gold statue in her memory |
Romeo and Juliet Key Quotes by Character
July 1, 2019