| pernicious | having a harmful effect, especially in a gradual way |
| augmenting | make something greater by adding to it |
| grievance | a real or imagined wrong or other cause for complaint or protest |
| portentuous | giving a sign or warning that something usually bad or unpleasant is going to happen |
| prodigous | impressively great in extent; unnatural |
| chided | to scold or rebuke |
| rancor | bitterness or resentfulness |
| predominant | present as the strongest or main element |
| lamentable | deplorably bad or unsatisfactory |
| foil | a character used to highlight or emphasize (by contrast) the traits of a protagonist |
| example of foil | Mercutio & Romeo; Lady Capulet & Nurse |
| foreshadowing | hinting at further events |
| example of foreshadowing | the prologue; “your lives shall pay the forfeit of the peace” |
| hyperbole | exaggeration for effect |
| example of hyperbole | Romeo’s expression of love towards Juliet |
| pun | a play on words based on multiple meanings |
| example of pun | Mercutio and Benvolio’s pun off in Act 2 Scene 4; “draw your neck out of collar” |
| conflict | struggle between opposing forces |
| example of conflict | Romeo is a Montague and Juliet is a Capulet; Benvolio and Tybalt’s fight near the beginning |
| oxymoron | figure of speech that combines contradictory terms |
| examples of oxymoron | feather of leadbright smokeloving hateserious vanity |
| juxtaposition | arranging two ideas, settings, characters, etc. together for comparison |
| dramatic irony | words and actions of the character have a different meaning to the audience than to the character |
| example of dramatic irony | when Juliet thinks she is talking to herself on the balcony; the Nurse and Romeo talking about marriage |
| imagery | vivid description appealing the the senses |
| example of imagery | Romeo talking about Juliet |
| malapropism | comical misuse of a word |
| example of a malapropism | when the nurse says “I desire some confidence with you” confidence was supposed to be conference meaning secretive |
| motif | recurring element that has symbolic significance |
| example of motif | Romeo’s references to the sun and moon |
| direct characterization | author (narrator) directly describes a character |
| example of direct characterization | prologue of act 2; “With tender Juliet matched, is now not fair. Now Romeo is beloved and loves again |
| indirect characterization | use of words, actions, appearance, thoughts to describe a character |
| example of indirect characterization | Romeo talking about Juliet, her appearance, we character, naïve |
| Romeo | depressed, sensitive, in love, “Ay, me! Sad hours seem long”, “And she’s fair I love” |
| Juliet | naïve, impatient, in love, “And palm to palm is holy palmers kiss” |
| The Nurse | scatter brained, discursive, bold, whole time she was talking to Romeo |
| Benvolio | peaceful, brother like, “I do but keep the peace”, “I’all know his grievance or be much denied” |
| Mercutio | witty, playful, “Where the devil should this Romeo be?” |
| Lord Capulet | prudent, protective, “My child is a stranger in the world” |
| Paris | presumptuous, arrogant, “Younger than she are happy mothers made” |
| Tybalt | vain, violent, “I hate the word as I hate hell” |
Romeo and Juliet: Act 1 & 2
August 31, 2019