| Desdemona | A white girl and the daughter of a senator- She runs off and marries Othello – a well – respected Army general, but nevertheless a “black man” |
| Basic Premise | Its about romantic relationships, friendship, jealousy, cheating, racism, self – doubt, drucnken mistakes and backstabbing villians |
| Main Characters | OthelloDesdemonaIago |
| Othello | The play’s protagonist and hero. A highly respected general of the armines of Venice. Not native to Venice, A Moor (of N. African descent). |
| Desdemona (more background) | Daughter of Venetian senator Brabantio. Desdemona and Othello are secretly married before the play begins |
| Iago | Othello’s ensign (right hand man), a military veteran from Venice. The villian (antagonist) of the play. A sadist (like Juror 3) who enjoys watching/causing suffereing. |
| Additional Characters | Michael CassioBrabantioRoderigoEmiliaMontanoBianca |
| Michael Cassio | Othello’s recently appointed lieutenant |
| Brabantio | Desdemona’s father; a Venetian senator |
| Roderigo | Suitor of Desdemona |
| Emilia | Iago’s wife and Desdemona’s attendant |
| Montano | Governor of Cyprus |
| Bianca | A prostitute whose favorite customer is Cassio |
| Setting | Venice, Italy – ACt 1Island of Cyprus (rest of the play) |
| Moors | Commonly stereotyped as sexually overactive, prone to jealousy and genereally wicked. The public oftern associated “blackness” with moral corruption” and sin; “witeness was purity” |
| Aside | A character speaks to the audience and the audience is to realize that the character’s speech is unheard by the other characters |
| Soliloquy | The characters talks while alone, a theatrical device that allows a character’s thoughts and ideas to be conveyed to the audience |
| Monologue | Similar to soliloquy, a dramatic monologue is a long speech by a single actor. The actor can either be alone on stage or intreacting with other performers. |
| Dramatic Irony | A situation where the audience is aware of things the characters are not |
| Foil | In fiction, a foil is a character who contrasts with another character in order to highlight particular qualities of the other character (Iago and Desdemona) |
| Comic Relief | A humorus or farcical interlude in a serious literary work or drama, especially atragedy, inteded to relieve the dramatic tension or heighten the emotional impact by means of contrast ( purpose of the lclown in Acts 3 and 4) |
| Motif | A repeated image or element that carries symbolic significance and contributes toward the development of theme |
| Reverse psychology | A technique involving the advocacy of a belief or behavior that is opposite to the one desired, with the expectation that this approach will encourage the subject of the persuausion to do what actually is desired: the opposite of what is suggested |
Othello (Shakespeare)
August 29, 2019