meter | a generally regular pattern of stressed and unstressed syllables in a line of poetry |
foot | a unit used to measure the meter, or rhythmic pattern, of a line of poetry. it is made up of one stressed syllable and, usually, one or more unstressed syllables |
iambic pentameter | a poetic foot consisting of an unstressed syllable followed by a stressed syllable ( – ‘ ); a single poetic foot; in describing or measuring (scanning) the meter of a poetic line, the student first identifies the type of meter; the term used to identify five feet in a line of poetry |
blank verse | unrhymed lines of iambic pentameter; shakespeares plays are written in this |
trochaic inversion | **Note: a trochee is a foot consisting of a stressed syllable followed by an unstressed syllable : the process of inverting the stress in the first foot of a line of blank verse |
enjambment | the continuation of the sense and grammatical construction of a line of poetry or couplet on to the next line of poetry or couplet (it jams together); occurs in run-on lines (contrast to end-stopped lines) |
end-stopped lines | lines of poetry in which both the grammatical structure and the sense reach completion at the end of a line |
caesura | a pause or break in the metrical or rhythmical progress of a line of poetry ; usually placed near the middle of a line |
alliteration | the repetition of consonant sounds in words that are close to one another |
rhyming couplets | two lines of poetry with similar end rhymes (rhyme that occurs at the end of a line) |
anaphora | a device of repetition in which the same expression (word or words) is repeated at the beginning of two or more lines, clauses, or sentences |
deus ex machina | any artificial or contrived device used at the end of a plot to resolve or untangle the complications; the employment of some unexpected and improbable incident in a story or play in order to make things turn out right |
stichomythia | a form of verbal repartee developed in classical drama and often employed by Elizabethan dramatists. line-for-line fencing match in which the principles of the dialogue retort sharply to each other in lines which echo the opponents words and figures of speech |
aside | private words that a character in a play speaks to the audience or to another character which are not supposed to be overheard by other on-stage; a character’s dialogue is spoken but not heard by the other actors on the stage |
foil | a character who is used as a contrast to another character |
verbal irony | words express something contrary to truth or someone says the opposite of what they really feel or mean; it is often sarcastic |
situational irony | it occurs when incongruity appears between expectations of something to happen, and what actually happens instead; actions have an effect that is opposite from what was intended, so that the outcome is contrary to what was expected. |
dramatic irony | the audience or the reader knows something important that a character in a play or story does not know |
paradox | an apparent contradiction that is actually true |
parallelism | the repetition of words, phrases, or sentences that have the same grammatical structure, or that restate a similar idea |
parody | the imitation of a work of literature, art, or music for amusement or instruction |
pastoral | a type of poem that depicts rustic life in idyllic, idealized terms |
pun | a play on the multiple meanings of a word, or on two words that sound alike but have different meanings |
soliloquy | a long speech in which a character who is usually alone onstage expresses his or her private thoughts and feelings; literary device often used in drama to reveal the innermost thoughts of a character. |
reflexive reference | a playwright makes a reference to a play or uses terminology associated with a play within the fictive world of the play itself |
blocker | those in control of old society; they frustrate (block) the attempts of the young to unite in love and the formation of a new, freer society |
new society | triumphant state; harmonious; a result of the marriage of idealistic couplings – power of love; end of comedy |
old society | society controlled by tyrants, usurpers, and wicked fathers; corrupt; beginning of comedy |
allusion | a reference to a statement, person, place, event, or thing that is known from literature, history, religion, myth, politics, sports, science, or pop culture |
apostrophe | a figure of speech in which a speaker directly addresses an absent or dead person, an abstract quality, or some nonhuman thing as if it were present and capable of responding |
hyperbole | a figure of speech that uses exaggeration to express strong emotion or create a comic effect; a wild exaggeration that is not necessarily true |
metaphor | a figure of speech that makes a comparison between two seemingly dissimilar things without using “like, as, then, or resembles” |
metonymy | a figure of speech that replaces the name of a thing with the name of something else with which it is closely associated. (the substitution of the name of an attribute or adjunct for that of the thing meant) |
oxymoron | a figure of speech that combines apparently contradictory or incongruous ideas |
personification | a type of metaphor in which a nonhuman thing or quality is talked about as if it were human |
simile | a comparison using “like or as” |
synecdoche | a figure of speech in which a part is made to represent the whole or vice versa |
understatement | a figure of speech that consists of saying less than what is really meant, or saying something with less force than appropriate |
Literary Terms As You Like It
July 7, 2019