| in his haussmannizafion of paris, baron gorges-eugene Haussmann widened paris’s streets to | prevent mobs rom barricading them |
| what is not a key writer of transcendentalism | harriet beecher stowe |
| who are the black seminoles | escaped slaves who found refuge with the seminoles |
| the romantics worldview was most informed by | subjective aesthetic experience |
| what is not a basic liberty according to john stuart mill | freedom from need |
| the romantic artists primarily reacted against | neoclassicism’s order, control, and balance |
| what major musical form was popular in 19th century america and reinforced racist stereotypes of african americans | minstrelsy |
| fin de siècle literally means | end of the century |
| following the end of napoleon’s reign in 1815, France’s government was | a monarchy |
| Hegel understood the movement of history to be driven by what | contradiction between opposing systems of ideas |
| for impressionist, the purpose of art shifts from transmitting meaning to | providing opportunities for the experience of light and color |
| what was not an effect of the quick industrialization of London | the renewal of christian faith with the influx of rural workers |
| Vincent van Gogh was foremost concerned with | symbolizing emotions through contrasting color |
| at the beginning of the twentieth century, western powers vied to dominate Africa in an effort to | control the natural resources and trade routes |
| what is not a characteristic of symbolism | ignorance of subjective experience |
| what is one characteristic of symbolism | revolt against reason |
| what is another characteristic of symbolism | attempt to create truth |
| what is a third characteristic of symbolism | return to spirituality |
| in their art, the impressionist cultivated | spontaneity |
| in his communist manifesto, karl marx essentially called for | revolution by the workers |
| John Stuart Mill advocated a theory that is | utilitarian |
| Post-impressionist painter sought to | present the transcendent or essence of what they looked at |
| the romantics revered prometheus for | … |
| What philosopher provides a philosophical basis for the romantic hero | Georg wilhelm hegel |
| which is not a characteristic of hudson river school paintings | overt political messages |
| what is a characteristic of hudson river school painting | nostalgia for vanishing wilderness |
| what is another characteristic for hudson river school painting | emphasis on the drama of light |
| what is a third characteristic for hudson river school painting | fidelity to nature |
| manifest destiny refers to | a belief that america was destined to span from one coast to another |
| according to ralph waldo emerson, transcendentalism fundamental principle was | the spirit’s oneness with nature |
| fin de siècle also refers to what type of cultural mood | an in betweenness of a rejection of the past and desire in an uncertain future |
| friedrich engels and karl marx wanted to eliminate capitalism believing it to | be exploiting the working class for the benefit of the bourgeoisie |
| nationalism was based upon the values of | regional autonomy |
| according to charles baudelaire, the greatest job of a flaneur like himself and edouard was to | shock the bourgeoisie |
| what is not a feature of the romantic imagination | elevation of natural laws |
| what i a feature of the romantic imagination | elevation of aesthetic experiences |
| what is another feature of the romantic imagination | elevation of subjective feeling and the imagination |
| what is the third feature of the romantic imagination | elevation of the natural world |
| why did john ruskin, a member of the guild movement, dislike mass manufacture | it deprived people of the satisfaction of creating |
| liberalism was based upon the values of | equality and freedom |
| many people moved to london between 1800 and 1880 | be near the factories where they were employed |
| naturalism differs from literary realism in that it is more | subjective |
| As a measure of inquiry, francis bacon advocated | the empirical method |
| what is not francis bacon’s four major categories of false notion | idols of king |
| as a manner of inquiry, Rene Descartes advocated | deductive reason |
| According to rene descartes, God is | the mathematical order of nature |
| what is one of francis bacons four major categories of false notion | idols of the market place |
| what is another one of francis bacons false notions | idols of theater |
| what is a third of francis bacons also notions | idols of tribe |
| why has the era of louis XIV’s reign come to be known as the Age of Absolutism | Louis was a strong monarch who exerted power based on divine right |
| Louis IV’s Classical Baroque was created by the blending of | Classical architecture with Baroque dramatic effects |
| According to Thomas Hobbes, the two factors that motivate people are | Fear of death at someone else’s hands and desire for powers |
| Thomas Hobbes believed that most people willingly accepted a social contract to | control their instincts and achieve peace |
| John Locke disagreed with Thomas Hobbes’s social contract, feeling that | people were capable of governing themselves |
| England’s artists and writers turned to satire during the Enlightenment to | expose the moral bankruptcy of English society |
| what irony is inherent in english garden design | careful design intended to look underdeveloped |
| which is not a reason for the english novel’s appeal | argument for social change and political reform |
| what is a reason for the english novel’s appeal | entertaining respite from daily drudgeries |
| what is another reason for the english novel’s appeal | realistic portrayal of contemporary life |
| what is a third reason for the english novel’s appeal | underlying portrayal of contemporary life |
| what does not define rococo interior architecture | symmetrical surfaces |
| what defines rococo interior architecture | S- and C- curves |
| what also defines rococo interior architecture | elaborate cartouches |
| what is a third defining factor of rococo interior architecture | shell forms |
| the rococo style emphasized | the pursuit of pleasure |
| eighteenth century french philosphes were concerned | secular and social concerns |
| deists took the view that God | had little to do with humans |
| the overarching purpose of the encyclopedia was to | accumulate and preserve human knowledge |
| according to jean jacques rousseau, people were born with natural goodness but lost it upon | corruption by society and civilization |
| in the declaration of independence, Thomas Jefferson’s argument for freedom was inspired by | John Locke |
| Neoclassicism became the preferred style in the late-eighteenth century US to | reflect the new government, which was focused on classical ideas |
| a defining characteristic of baroque art is | attention to viewer’s emotional experience of a work |
| baroque artists placed elements on a diagonal plane, rather than the frontal and parallel planes used by renaissance artists to | produce a stronger sense of action |
| where did baroque artists place elements | on a diagonal plan |
| where did renaissance artists place elements | on a frontal and parallel plane |
| the roman patrons who were most responsible for creating the baroque style were | the catholic church |
| what technique that contrasts large areas of dark with smaller illuminated areas did Caravaggio master? | tenebrism |
| what is not a contradiction of seventeenth century Amsterdam residents | they advocated harmony with others, yet viciously warred with the French |
| what is a contradiction of seventeenth century Amsterdam residents | they avidly collected art for homes, yet banned it in churches |
| what is another contradiction of seventeenth century Amsterdam residents | they were intolerant of religions heresy among Protestants, yet tolerant of catholics |
| what is a third contradiction of seventeenth century Amsterdam residents | they were obsessed with acquisitions of material goods, yet reigidly austere in religious life |
| in 1618, some members of the Dutch Reformed Church were expelled, and even imprisoned and beheaded for | the belief that good deeds could overcome predestination |
| what kind of painting is this classical baroque | |
| what kind of painting is this secular baroque | |
| what kind of painting is this baroque | |
| what kind of facade is baroque | |
| what kind of painting is this rococo | |
| what kind of sculpture is neoclassical | |
| what kind of garden is english | |
| what kind of painting is this secular baroque | |
| what kind of fresco is baroque | |
| what kind of painting is this neoclassicism | |
| what kind of sculpture is baroque | |
| what kind of painting is this baroque | |
| what kind of painting is this secular baroque | |
| what fresco is rococo | |
| what kind of painting is this realist | |
| what kind of painting is this post impressionist | |
| what kind of painting is this impressionist | |
| what kind of aesthetic experience is sublime | |
| example of what kind of painting is this neoclassical | |
| what kind is this painting is this romantic | |
| this is what kind of painting is this post impressionist |
HUM2230 Final Review
June 12, 2020