O’Toole – structure | “the whole point of the play’s structure” is “the overwhelming sense of injustice” |
O’Toole – morality | “there is no simple sense of morality” |
O’Toole – loyalty | “the traditional morality of loyalty… is no longer of much use” |
Kastan – tragedy | “the genre of uncompensated suffering” |
Nutall – pleasure | “the pleasure of tragedy” – “the gloating, envious spectator” |
Bradley – blindness | “man is blind and helpless, the plaything of an inscrutable power” |
Mack -madness | “madness is to some degree a punishment or doom” |
Mack – truth | (the madman has) “intuitive unformulated awareness” |
Kermode – language | “wild linguistic excursions” |
Rutter – women | Goneril and Regan “begin the reactive process to lear’s effeminization” |
Pechter – blinding | “Gloucester’s blinding is the climactic, definitive example of the play’s power to make us suffer.” |
Kott | “The fool knows that the only true madness is to regard this world as rational” |
Foakes | “Insights” “vividly exposes human folly, greed and corruption” |
Danby | “Embodying a ruthless, greedy, self-seeking capitalism” (Edmund, Goneril and Regan) |
Rutter 2 | “The maternal is reviled” |
Shapiro 1 | “King Lear wrestles with what Britishness means” |
Samuel Johnson | “A play in which the wicked prosper, and the virtuous miscarry” |
Shapiro 2 | “Darkest tragedy that Shakespeare ever wrote” |
Orwell 1 | The Fool’s ramblings “are like a trickle of sanity running through the play” |
Kott | “The theme of King Lear is the decay and fall of the world” |
Orwell 2 | “the fool is integral to the play” |
Critic Quotes: Shakespearean Tragedy and King Lear
July 16, 2019