“This life is most jolly” | AMIENS (Act 2, Scene 7) |
“Here we see no enemy, but winter and rough weather” | Subverting pastoral idea of weather – AMIENS (Act 2, Scene 5) |
“Joy is to see my lambs suck” | … |
“Sit down and feed and welcome to our table” | Self Sufficiency DUKE SENIOR (Act 2, Scene 7) |
“Fleet their time carelessly”… “as they did in the golden world” | Leisure CHARLES (Act 1, Scene 1) |
“Are these woods not more free from peril from this envious court?” | Monologue – DUKE SENIOR (Act 2, Scene 1) |
“To join in Hymen’s hands” | Biblical Reference – Spiritual -HYMEN (Act 5, Scene 4) |
“There’s no clock in the forest” | Free from constrictions – undermined later on in the play ORLANDO (Act 3, Scene 2) |
“Now we go in content, to liberty and not to banishment” | free from the harshness of the court CELIA (Act 1, Scene 3) |
“All the world’s a stage, and all the men and women merely players” | Seven stages of man JAQUES (Act 2, Scene 7) |
“The worse fault you can have is to fall in love” | Undermines pastoral concept of love JAQUES (Act 3, Scene 2) |
“Let the forest judge” | Judge has connotations of law therefore can be associated with the court. TOUCHSTONE (Act 3, scene 2) |
“Break his neck and his finger” | The court is much more violent then Arden -Country vs. Town concept OLIVER (Act 1, Scene 1) |
“Golden World” | a time of eternal spring and innocence without labor and laws – Pastoral Element |
“I am a shepherd to another man and do not sheer the fleece that I graze” | Subverting pastoral convention CORIN (Act 2, Scene 4) |
Critical Quote – Richard Wilson | The play is powerfully infected by narratives of popular resistance whilst its plot… Is the brutal story of Elizabethan social transformation |
“From hour to hour, we rot and rot” | Act 2, Scene 7 – time, subverting against the pastoral conventions |
“Merry men” | Idea of leisure |
“Men are April when they woo, Decemeber when they wed” | Pathetic fallacy – the change in men from getting married to being married |
As You Like It
July 2, 2019